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两次金棕榈得主、丹麦导演比利·奥古斯特新片《The Passion ion ofMarie》，讲述丹麦历史上两位著名画家Peder SeverinKroyer和妻子Marie之间的故事。在凭借《征服者佩尔》摘得奥斯卡最佳外语片、金棕榈以及金球奖扬名国际之后，奥古斯特一直在外国拍片，1992年瑞典语的《善意的背叛》再次摘得金棕榈奖，而《ThePassion ofMarie》将是他14年来的首部丹麦影片。Kroyer曾在巴黎留学，是他将印象画派介绍给了丹麦。他在37岁时遇到了小自己16岁的Marie，但他不稳定的精神状态毁掉了两人的婚姻。Marie后来离开了他并瑞典著名的作曲家雨果·阿尔芬结合。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。一个美国人Matthew Barnes跑到英国来走马上任，负责接待他的John Gissing从Matthew下飞机就开始故意放他的鸽子，于是，Matthew开始了一场寻找之旅。终于Matthew找到了John并且发现自己是被玩了，于是反过来又把John整蛊了一番。。