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This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。他们，曾经被耻笑为“精神散漫”的民族， 他们，也经历过步履维艰的“山寨阶段”， 甚至，他们的产品都要打上屈辱的符号。 但是今天，众口一词、不容抗辩， 他们是世界公认的制造强国。 是什么让他们在孤独中突围、成功逆袭？ 是什么促使他们百年来前赴后继、精益求精？ 带着这些疑问， 《工业传奇》主创团队经过3年创作， 其中历时近18个月的摄制，跋涉超过26000公里， 目光穿越百年、跨越东西两个文明， 追本溯源、寻求德国工业成功的答案。。