电影卿本佳人国语

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唐慕君凭设计天赋获杜瀚峰关注，受邀参赛。杜的关注引其女杜曼芝嫉妒，派人霸凌唐慕君，被顾之修救下。唐参赛后，母亲车祸，杜见其像初恋且带玉佩，疑是亲女却未认亲。唐遭柯诬陷，认亲入杜家。后出国历练，回国掌雅致，在顾之修助下，送柯等入狱。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。朵儿出身于皇室家族，声名显赫。她的父亲云龙鹤辛亥革命后赴日留学，主修建筑，是一个隧道工程师，参与过日本人在奎城一项秘密地下工程的设计。在日本人预感到末日来临之际，为掩盖战争罪行,日本人残暴地将朵儿父亲以反满抗日的罪名杀害，下达杀害朵儿父亲命令的，就是关东军驻奎城司令部司令官星野。 但云龙鹤有一张地下工程的秘密图纸始终没有交出来，日本人一直想得到这张图纸，抗联也在找这张图纸。 父亲被日寇杀害之后，朵儿发誓要为爸爸报仇，她报仇的目标第一个就锁定了星野。于是，她主动和星野的女儿香织交朋友，得以有机会进入香织的家，接近星野，实施她的复仇计划，同时，她把获得的大量日寇军事情报送给了抗联。 那么，朵儿能否替父报仇？地下工程的秘密图纸将落入谁手？。